It becomes understood that the only way to deal with Sollozzo is to bring Michael into the family business that he has, so far, been protected from.
He is struck by the irony of seeing Tessio betray him, he demands to hear his brother-in-law admit that he has become a pawn to Barzini; he is also forced to see that he is no longer doing business just for business when Kaye asks if he really had Carlos killed.
He learns from his father, who acts as the new consigliari, and sees others learning to give him respect. It is also understood that drugs mean power in the future, and that although Don Corleone is against them, his children understand the importance of drug trafficking.
It becomes understood, when Sollozzo tries to have Don Corleone hit, that there is a major shift occurring among the families. Doing Overall Story Signpost 4 This act concentrates on the Corleone family, especially its new Don, doing all of the things which will cement the establishment of a new Godfather Corleone in New York.
She affects Michael in his Subconscious by representing these old desires to avoid ever having to kill family members and commit crimes.
Sonny feels their family has lost some power and should fight to get it back.
Influence Character Conscious Influence Character Signpost 1 Kaye becomes conscious that her boyfriend is involved with the Mafia, a fact she must take into account when considering continuing her relationship with him.
Michael is also continually wondering when he will be able to return to the States. Progress Main Character Signpost 4 Michael is forced to see events in terms of how they have changed during this fourth act. These concerns come to the fore when he decides to kill Sollozzo to help his family, and thus signal a Main Character act break by taking this irreversible action.
Their relationship at this time is thinly illustrated in the story, however, it is clear that Kaye is still in love with the Michael she remembers, and Michael is still not a hardened Mafioso.
Objectively, all the families are fighting over who will obtain the most power and territory during this gang-land war.
The death of Sonny brings about the truce which signals the shift from Objective Act 2 to Act 3. These actions bring the Objective Story to a close.
Past Main Character Signpost 3 Michael is busy in this act, establishing his connection with things from the past. This concern is especially poignant because he is naturally expected to consider joining the family Mafia business, which he is against.
Kaye keeps the memory alive by writing letters to Michael in Sicily; Vito keeps it alive by becoming distressed when he is told that Michael committed the murders which took care of the Sollozzo problem. Subconscious Influence Character Signpost 4 Kaye wants to know that she is still married to the man she was attracted to so long ago and who motivated her to become married.
Finally the old Don Corleone dies signaling the beginning of a new Objective Story act. These concerns of the Past make up the Main Character act 3.
Kaye maintains the hope that Michael and she will be married and that Michael will remain uncommitted to a life of crime. These new ideas dominate their relationship in this act and prevent it from being resolved in a fulfilling way for both of them.
Then, when Michael has to commit a murder and explains only that he may not see Kaye for a long time, the unspoken issue is how, in that case, will they continue to maintain their relationship. The act is over when Michael has learned everything he can from his father to prepare for the inevitable betrayal of someone close to him in favor of Barzini.
Michael recognizes her instinct to veer away, and this compels him to insist he will try to legitimize the family business. Memory Influence Character Signpost 2 Kaye and Vito Corleone carry the Obstacle Character throughline through this act, carrying the memory of what Michael had once promised to become—an upstanding citizen who would remain out of the family business.
Michael is also seen to make progress as the new Don by receiving pledges from other dons. These plans are a surprise to everyone except for Michael and his father.The Godfather () is a one of a kind movie; it is even considered by many an American classic.
The Godfather Movie Analysis Film Studies Essay. Print Reference this. Disclaimer: If you are the original writer of this essay and no longer wish to have the essay published on the UK Essays website then please click on the link below to.
Critical analysis godfather death essays on poverty Tweet Research papers related to network security essay sentence tip writing schulich law. 'The Godfather Part II” is an example of how a carefully crafted sequel to a great film can become both a box office and critical success when attention is paid to its artistic quality.
The movie continues the tale of the Corleone family, and presents to the viewers a world filled with greed and betrayal, family union and loyalty. The Godfather appeared at a turbulent time, when racial tensions flared, crime rates rose, young people indulged in sex and drugs, and an unpopular war in Vietnam made citizens lose faith in their.
The following analysis reveals a comprehensive look at the Storyform for The Godfather. Main Character Critical Flaw. Ending his life as a “civilian” by becoming the new Godfather aids in the effort to achieve the Objective Story goal, however, it undermines Michael’s efforts to resolve his personal angst.
The Godfather essaysThe Godfather is the story of a Mafia family. It follows the rise of Michael Corleone within the family. Michael was once a war hero and did not want to be involved in the family business. When his father is shot though, Michael takes revenge on the people who did it and becom.Download